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Additional resources for Alexander Pope: The Critical Heritage (The Collected Critical Heritage : the Restoration and the Augustans)
5–11. , i. 121. However, in 1713 Pope satirized Dennis in The Narrative of Dr. Robert Norris. 13 On Windsor Forest see Earl Wasserman, The Subtler Language (Baltimore, 1959), chap, iv, and Twickenham, i. 131–44. On The Temple of Fame see Twickenham, ii. 215–42. 14 Publication of the five-canto version is treated here as the poem’s first appearance. The two-canto version in Lintot’s Miscellany (1712) was virtually ignored. 15 An Enquiry into the Life and Writings of Homer (1735), reprinted in EighteenthCentury Critical Essays, ed.
Practising poets often reacted against Pope more strongly: Cowper characterized him as a mere ‘mechanical maker of verses’ (No. 126). For all these readers Shakespeare and Milton were the touchstones of genius: neoclassicism like Pope’s no longer dominated creative imagination. These signs of changing taste were simply ignored by critics like Goldsmith (No. 120) and Lord Lyttelton (No. 115), who remained faithful to the established Augustan case for Pope’s poetry. Others replied directly. Dilworth’s Life (1759, No.
37 The Works of the English Poets, ed. Chalmers (1810), xi. 201. ), pp. 11–12. 39 See Du Resnel’s remarks (No. de La Harpe, ‘Le Journal des Savants et la renommée de Pope en France au xviiie siècle’, University of California Publications in Modern Philology, xvi (1933), 173–216. 40 As Johnson pointed out in his translation of the Commentaire (1739, reissued 1742). 41 See Twickenham, III. i, note p. xli. 42 For two opposed views, see Twickenham, III. i, pp. xxix–xxxi, and I. , 1968), pp. 217–23, 306.
Alexander Pope: The Critical Heritage (The Collected Critical Heritage : the Restoration and the Augustans) by John Barnard